The Business of Story
When I first started writing stories for children, I focused on the words, the rhythm, the voice, and the heart. That’s what I loved and still do.
But the more I wrote, the more I realized that loving the craft isn’t enough. If I want these stories to reach children, I need to understand how the industry actually works.
So I’ve been learning.
Recently, I spent time reading the Society of Children’s Book Writers and Illustrators’ Essential Guide to Publishing for Children. It isn’t about writing technique. It’s about the business side of children’s publishing: query letters, submission strategies, critique culture, marketing, platforms, contracts, school visits, and the different kinds of publishers.
At times, it felt overwhelming. But it was also clarifying.
One part that stayed with me was the idea of building a “creative crew.” I don’t have one yet, but it reminded me that this work isn’t meant to be done entirely alone. Finding the right support, whether through critique groups, community, or thoughtful readers, is part of the process.
I’m still figuring it out. But reading about the path others have taken made the road ahead feel a little less foggy.
It’s not about chasing trends or rushing to publish. It’s about showing up with care and learning how to carry these stories beyond my own desk.
More soon,
Sherley L. Mondesir
